| Updates
on our Festival dates:- North Wales Bluegrass Festival
Well, the weather held out, not a
drop of rain from the time we pitched the Canvas Campus, our pair of
tents. After a warm-up, we made our way to the town hall, where the
main stage is. Undaunted by the fact that we were the final band on
the Friday night, we took to the stage and launched straight into our
first number. It went like a dream, so we decided to stay and play the
rest of the set !! Great crowd, good applause and two encores. Back to
the campsite where we sat until 2am having a chat and a drink with
friends John Clarke and Bill, his brother-in-law, all the way down
from Scotland as usual. Saturday morning, up to one of the
marquees for Robin and Jim to present a mandolin workshop, backed up
by Stevie. In the afternoon, we did another show in the town hall,
standing in for a band who'd been unable to make the festival.
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   Then a visit
round a bunch of old friends, meeting people and visiting the
instrument vendors. After a quick bite, it was back down to the
hall to watch some of the other bands before we went on. We were
particularly impressed with the most recent edition of the Down County
Boys, better than ever with their new mandolin player. Did our
last set to thunderous applause, more encores, then off for a couple
of drinks while watching the American band, Yeehaw Junction.
A
bit disappointed at the lack of jam sessions back at the campsite, so
we had to make our own entertainment with a bottle of what made Tain
famous and copious amounts of humour. Hugh is still sore from laughing
at jokes about our flat-faced ornithological nocturnal visitor, a
tawny owl in an elm tree above the tent. But we won't go into that,
suffice to say we enjoyed our first outing to an appreciative
Bluegrass crowd, and thanks to all those who bought the CD's. Most
thanks go to John and Gill for having the forethought and faith to
book us for the main event, solely based on the fact that they knew
our individual talents, and knew we'd make a good combination. Cheers,
but next year we hope the facilities for ablutions improve
somewhat...... |
| Then on to....the
Yorkshire Dales:- This festival will be hard to top !!!
What can we say but
thanks to Kevin Garratt for inviting us to play!! Pity the program had
us down as "The Scottish Band" , which we thought was a
clever Shakespearean reference meaning if they mentioned us by name,
it would bring bad luck, namely, the RAIN. But we were assured that it
meant THE Scottish Band. Ha ha, thangyewvermuch, you Yorkshire folks
are toooo kind, shucks, blush. Anyways, the weather just couldn't have
been better, sunny- with- a- slight- breeze all weekend. The Friday
night concert went well, as we were more relaxed, but The Bounce and
The Drive were right there in our fingers from the get-go. The main
hall was a great venue, and the audience were really enjoying all of
the bands, who were of a very high standard indeed. A good jam session
followed outside the main bar.
On the Saturday, we
spent the day again meeting new friends ( and selling them CD's ),
catching up with old friends, Dave and Margaret Logan amongst
them. Met up with Arthur Robinson, Dave Bresnen, Digger Dave, John
Clarke again (John is a master banjo-maker and a true craftsman, who
later had to attend to both Robin's Stelling Red Fox and Jim's old
Gibson banjos for minor but tricky repairs, due to the abuse they
suffered over the weekend)!! Robin almost bought yet
another Martin guitar, a D35, but that's another story.....Anyway, had
a great time jamming with Bill Forster at the Griffin banjo tent, with
Jim clawhammering on a couple of the gorgeous Griffins while Bill
picked his banjer.
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| Come
Saturday night, we had a night free, so it was up to the main bar,
watched a few of the brilliant bands, and kicked off another jam
session, which started around 7pm and went continuously till 1:30 am.
Old mates Kipper Tranter and John Weighells played for the first
couple of hours, while we were joined by an ever-changing lineup of
musicians and singers. Highlights had to be 4-fiddle versions of Wheel
Hoss and Roanoke, with a fiery fiddler from the London area called
Emily, and Gary Payne's super high harmonies on top of Jim and
Stevie's on "Dim Lights, Thick Smoke" and "Workin' on a
Building" ..incredible stuff !! Hugh's fingers actually started
to burst as he thumped away on the bass, having to tape them up with
insulating tape from Robin's tool kit. Oh, and Valerie Smith and
Liberty Pike were pretty good too... |